Et in Arcadia Ego. Kunst+Clean-Up. 4-7.7.25

Et in Arcadia Ego. Kunst+Clean-Up. Rette den Park am Nordbahnhof. 4-7.7.25

Text: Curator Lily Fürstenow

DE

Ziel der Ausstellung ist es, das Bewusstsein für Umweltschutz, Natur und Umweltverschmutzung in öffentlichen Parks zu schärfen. Mittels künstlerischer Interventionen und Workshops erhalten die Ausstellungsbesucher und die lokale Gemeinschaft Einblicke in den nachhaltigen Umgang mit der Natur in Berlins öffentlichen Räumen. Interaktive Workshops, die am Sa. und So. 5. – 6. Juli 2025 geplant sind,  laden die Besucher*innen dazu ein, den Park zu säubern, aus den gefundenen Objekten Kunstwerke zu schaffen und sich aktiv in den Prozess des Umweltschutzes auf der kommunale Ebene einzubringen. Der Park am Nordbahnhof liegt im Herzen des Bezirks Berlin-Mitte auf dem Gelände des ehemaligen Stettiner Bahnhofs – einem der wichtigsten Bahnhöfe Berlins, der während des Zweiten Weltkriegs vollständig zerstört wurde. Der Park, der aus Wiesen und mit Birken und Sträuchern bepflanzten Flächen besteht, ist als Erholungsgebiet für Jung und Alt gedacht. An den ehemaligen Stettiner Bahnhof erinnern Eisenbahnspuren, die als Gleis entlang des Hauptweges zu erkennen sind. Leider sind aufgrund des Klimawandels, z.B. Regenmangel, Berliner Wasserknappheit, große Teile des Parks ausgetrocknet. Was von der Trockenheit verschont geblieben ist, wird durch Müll wie Sprühdosen der Graffitikünstler, die die Parkmauern für ihre künstlerischen Experimente nutzen, sowie Zigarettenkippen, leere Flaschen und mehr übermäßig verschmutzt. Der Ausstellungstitel Et in Arcadia Ego bezieht sich auf Nikolas Pussin und sein gleichnamiges Gemälde, das idyllische Landschaften und Natur in Harmonie mit Hirten und mythischen Protagonisten darstellt. Auch dieser Park am Nordbahnhof sollte ursprünglich ein idyllischer Ort sein, an dem sich die Menschen erholen und die vergängliche Schönheit der Natur auf dieser symbolträchtigen Topografie eines nicht mehr existierenden Berliner Hauptbahnhofs genießen können. Unsere Aufgabe ist es, diesen Park zu retten, indem wir die Menschen mit den Mitteln der Kunst erreichen.

EN

This exhibition aims to raise awareness about environmental protection, nature and pollution prevention in public parks. By means of artistic interventions and workshops the exhibition guests and local communities will gain insights about sustainable ways of dealing with nature in Berlin’s public spaces. Interactive workshops planned on Sat. and Sun. July 5 -6th 2025 will invite participants to clean up the park area and create artworks out of the found objects as well as get actively involved into the process of environmental protection on the grass -roots levels. Park am Nordbahnhof is a park situated in the heart of the Berlin-Mitte district on the territory of the former Stettiner Bahnhof – one of the major railway stations of Berlin that was completely destroyed during the World War II. The park that consists of meadows and areas planted with birches and bushes is intended as recreation area for young and old. Railway trails that are recognisable as a track running along the main pathway commemorates the former Stettiner Bahnhof. Unfortunately due to climate change e.g. lack of rain, Berlin water shortages large areas of the park are dried out. What has been spared by the draughts is excessively polluted by rubbish like spray cans by the graffiti artists that use the park walls for their arts experiments as well as cigarette butts, empty bottles and more. The exhibition title Et in Arcadia Ego refers to Nikolas Pussin and his painting of the same title representing idyllic landscapes and nature in harmony with shepherds and mythical protagonists. This park am Nordbahnhof likewise was originally intended to be an idyllic place for folks to relax and enjoy the transient beauty of nature on this symbolic topography that used to be one of the central Berlin railway stations that exists no more. Our mission is to save this park by reaching out to people by means of art.

Participating artists:

Ae Hee Lee

Maharu Maeno

Liz Dot

Simone Dubo

Rachel Harris

Sophia Melone

Teona Paichadze

Paulette Penje

RDRADA

ANna Tautfest

Diana Thieme and Euan Williams

Jingwen Yao

Emma Zimmermann

Nino Zirakashvili

Workshops  

Freitag, 04.07.2025

17:00-19:00 clean up auf der Wiese

19:00-19:30 Performance auf dem Plateau vor dem Haupteingang

19:45 Mosaik aus gesammeltem Müll auf dem Plateau vor dem Haupteingang

Aufhängen Banner mit Fotos aus dem Park am Zaun am Haupteingang

20:30 Aufstellen Insektenhotel an der Spitze der Wiese 1 vom Haupteingang,

gemeinsamer Spaziergang durch den Park

Sa, 05.07.2025

13:00-15:00 clean up auf der Wiese

15:00-17:00 Flaggen mit gesammeltem Müll am Weg bei Wiese 1

Installation mit gefundenem Müll an Bank neben Mülleimer 

15:00-21:30 Traumfigur auf Wiese 2 vom Haupteingang

15:00-16:00 Moosarbeiten auf einer Bank, Tisch wird mitgebracht

16:00-18:00 Bonbonpapier-Collage basteln, Banner aufhängen 

18:00-20:30 Träume auf Stein verewigen auf Wiese 2 neben Traumfigur (Steine werden mitgebracht und wieder mitgenommen)

20:00-21:30 Malen auf Plastikverpackungen an einer Bank, Tisch wird mitgebracht

So, 06.07.2025

13:00-15:00 clean up auf der Wiese mit Überraschungssuche

14:15-15:00 Natur in Kunst: Austausch Künstler*innen und Studierende der UdK auf Wiese1

15:00-16:00 Moosarbeiten auf einer Bank, Tische werden mitgebracht

16:00-18:00 Ton- und Zeichenworkshop: Pflanzen und Tiere aus dem Park darstellen auf Bank mit mitgebrachtem Tisch

17:00-19:00 Videos zu Beobachtungen von Hunden im Park auf Wiese

Ziel der Aktionen ist es, den Park achtsam zu nutzen, Alle anzusprechen. Dem entsprechend werden auch die Aktionen geplant.

Artist Biographies:

 

Paula Carralero Bierzynska

Paula Carralero Bierzynska was born in Madrid in 1991 and grew up in Pamplona, near the Pyrenees. She studied translation in Madrid, Leipzig and Montreal with the Excellence Scholarship of the Comunidad de Madrid, the Erasmus Scholarship and the Mobilidad Internacional Scholarship. After working in Mexico City, she moved to Berlin in 2013, where she studied painting with Nader Ahriman at the Kunsthochschule Weißensee in Berlin from 2013 to 2020 as a diploma and masters student.

During her studies, she exhibited at Haus des Berliner Rundfunks, Projektraum Bethanien, Neukölln Arkaden, Bar Babette, Brandenburgischer Kunstverein, Kunstverein Uelzen, Kühlhaus Berlin, and also internationally at Muzeum Woli in Warsaw, La Ciudadela and Centro Huarte in Pamplona, and Sala Pérez de la Riva in Madrid in Spain. She has also been awarded the Mart Stam Stipendium, the Mart Stam Prize, the Mittenmang Project Grant, and the Premio Encuentros Arte Joven. Her artist books have been presented at the Berlin Art Book Fair at Hamburger Bahnhof and the Missread Art Book Fair at the Akademie der Künste. In addition, her work was published by Textem Verlag in 2016.

After graduating, she received the Neustart Kultur scholarship (2020), the Kickstarter grant for graduates of state art colleges from the Stiftung Kunstfonds (2022), and the bridge scholarship for entry into doctoral studies from Bauhaus Universität Weimar (2023). She was also nominated for the Young Art Award and the Art Award Germany (2021) and received the studio grant of the Kulturwerk bbk Berlin (since 2021). She participated in residencies at Begehungen, Chemnitz; Centro Huarte, Pamplona, Spain (both 2021); Künstlerhaus Edenkoben and at the Powidoki, Kaliska, Poland (both 2022). Her first solo exhibition was held at weisser elefant gallery in Berlin (2021). Other exhibitions have also been held at Rathaus-Galerie Reinickendorf, Galerie Ebensperger with Radio Cashmere, Lage Egal, Kino Krokodil, Spoiler, Volkssolidarität Mitte, Galerie Parterre at Kunstverein Neukölln and Atelieretage AR29 in Berlin, Kunstverein Marburg, Galerie Depelmann (Hannover), Güterbahnhof Altendorf (Chemnitz), Galerie das Gute Leben (Kandel, Rhineland-Palatinate), Biels (St. Gillis Waas, Belgium), at the town hall in Kaliska (Poland), and at the PHuN Symposium (Arizona, United States). In 2023, she realised an installation for the Soteria at St. Hedwig Hospital in Berlin. In 2024, she had a solo exhibition at the Max Planck Institute for Human Development. Further exhibitions are planned the Retramp Gallery in Berlin, in Beratungscenter der Sparkasse Gera-Greiz in Gera and Autokonzern in Berlin.

Simone Dubo

Simone Dubo is the daughter of senior physician Gudrun Dubo, who paints in her free time. She sparked her interest in painting through visits to nature. Among other things, she took her to a river near Grimma. It was a profound and fascinating experience to be able to paint in nature in the tall grass with mothers oil paint.These excursions, among others, ultimately led her to begin training as a graphic designer.After graduating from high school, she attended the Best – Sabel – Bildungsstudio for graphic design, graduating with a degree in graphic design.After a long period of illness, the effects of which she still feels today, she began painting again in 2010.She finds inspiration in many areas: nature, city, science, society. And she constantly moves between forests and the city.Michael Hegewald was one of her teachers, who taught her the basics of painting. Further training and courses in painting followed with Ellena Olsen and Rasema Santic.As well as, above all, self-taught in her  Berlin studio. And after forays into nature on the Baltic Sea. Already fascinated by the properties of cardboard and paper in her childhood and youth, (she built, among other things, shoebox cities) she returned to working with paper and in an exciting, exploratory and playful process, developed the kq technique.In this technique, she applies acrylic paint directly from the tube onto the paper. It is then crumpled and opened again.After a brief initial phase of folding, she later moved on to crumpling the paper.

R.Drada (b.1986) is an Asian-American artist based in Berlin, Germany. R.Drada was trained at the Art Students League of New York. The works of R.Drada have been published in Horizon Magazine, The Purposeful Mayonnaise and other publications. R.Drada has exhibited her works in New York City, Berlin, Seoul and London. 

R.Drada provides a visual image for the life of ideals as they endure frustrations with the common corruptions of regular life, with special focus on how the ideals such as freedom and decency can suffer within the cauldron of American culture. The artist strongly believes that considering and reflecting upon the turmoil of an absurd world are important steps on the path to accepting the brutal and bizarre nature of human society. R.Drada uses bright colors to signify the intense positivity of American culture, as well as raw, furious strokes to demonstrate anger and frustration. Common themes that appear in her works are: greed, conflict, rebellion and anger. 

R.Drada creates images that can speak to conflicts between the individual seeking ideals vs. a larger system or culture. Crafting images that capture intensely-held feelings is both a relief for the sympathetic viewer & the artist but also provides reinforcement of the importance and dignity of these emotions, which is vital for rehumanizing oneself in a vastly dehumanizing world. In unveiling ones’ emotions before oneself, one can finally view these emotions as just another fact of life, in the spirit of distance and acceptance. 

 

Maharu Maeno

Maharu Maeno is a interdisciplinary artist and performer based in Chiba & Berlin. Her work focuses on perceiving living organisms as processes rather than objects, creating performance plant sculptures with living moss and bamboos. She also creates interactive stage pieces that visualize the movement of flora and fauna using digital technology, based on scientific insights from interviews with arborists and scientists. Her works have been exhibited at Chiba Prefectural Museum of Art (2025, Chiba), Bauhaus Archive “hands on nails we are open” (2024, Berlin) and Culterim gallery “Moss Nail”(2023, Berlin) .

ARTWORKS

Exhibition 

2025 Artist Follow-up Phase 1 Exhibition, Chiba Prefectural Museum of Art / Chiba, Japan

2024 hands on nails we are open, Bauhaus Archive “Moss Nail”/ Berlin, Germany

2023 Yohas art night, Chiba Park “Post-Christmas”/ Chiba, Japan

2023 WAS MACHEN SIE JETZT?!?, Culterim gallery “Moss Nail”/ Berlin, Germany

2023 MEIN KÖRPER MEIN CAPITOL, “Sumo wrestler business women”/ Berlin, Germany

2023 Xposures, Schwartzschen Villa “Instant Wander vo gel”/ Berlin, Germany

2022 Echigo-Tsumari Art Triennale 2022, “We like to watch the clumsy-seeming mountains” 

/ Niigata, Japan

Performance 

2024  hands on nails we are open, Bauhaus Archive “Moss Nail”/ Berlin, Germany

2023  WAS MACHEN SIE JETZT?!?, Culterim gallery “Moss Nail”/ Berlin, Germany

2022   Asian Performing Artists Lab – AMNASIA.4, “Soil Memory” / Berlin Germany

2022   Echigo-Tsumari Art Triennale 2022 “Turn Off the House  Lights”/ Niigata, Japan

2022   “Turn Off the House  Lights” / Berlin, Germany

2022   “First Touch” Honoruru / Nantes, France

2021   “Dancing with Chickens” Himukai Jingu Shrine / Kyoto, Japan

2020   Tobitate Cultural Festival “Kasumi-ka Kumo-ka” / Tokyo, Japan    

2019  “RedHook Horror Lemonade” De-Construkt / New York, USA

2019  FIGMENT NYC “Museum of Make-up Art (MoMA)” / New York, USA

2016  Immigration Museum Tokyo “The Alley Theater Club” / Tokyo, Japan    

2015  Galaxcity “Marry Me!” / Tokyo, Japan 

EDUCATION

2021 – 2023  

M. A., Spatial Strategies, Weißensee Kunsthochschule Berlin (Berlin, Germany)

2014 – 2020  

B. A., Musical Creativity and the Environment, Tokyo University of the Arts (Tokyo, Japan)

AWARDS AND GRANTS

2025 Artist Follow-up / Chiba Prefecture

2022 Mart Stam-Stipendium / Deutschlandstipendium

2019 German Haiku Contest at Kyoto Women’s University

2019 Acknowledgement Financial Aid Award

2018 Japan Public-Private Partnership Student Study Abroad Program

2018 Egashira Hospitality Foundation Scholarship

 

Emily Thomas 

(b. 1996, Yeovil UK)

Emily Thomas is an emerging visual artist & woodworker based in Berlin. From the Saatchi Gallery London to Soulangh Cultural Park in Taiwan, Emily has been sharing her work globally since graduating from the University of Arts London in 2018.

Her roots lie in a rural UK village with just 300 residents, which ultimately sparked her interest in the concept of place. Growing up amidst ongoing construction in her family home, where her parents personally undertook the building, she cultivated a passion for hands-on work. This also fuels her artistic exploration of alternative ways of living, examining how different housing structures reflect & shape communities.

Emily’s exhibitions span prestigious locations worldwide, with projects supported by notable institutions such as the European Cultural Foundation, Stiftung Kunstfonds, & Arts Council England. These experiences not only fuel her creativity, but also emphasise the meaningful connections her art forges across different cultures & spaces.

LIZ DOT

Lizeth Rodríguez (Dot), creative director, artist and illustrator, experiments with various media and techniques. My path in the ceramic environment began ten years ago in Mexico City, where I had the opportunity to learn the basics of this art at the Mono Rojo and work next to great artist and friends.

In the year 2023, I arrived in Berlin, where I started my home studio where I continue to explore ceramic art as a medium for narrative, tradition and creative expression.

In my creative process, I am inspired by archaeological ceramics, as well as by nature and design, elements that give form to our cultural and personal memories.

When sharing ceramic workshops, my main goal is to develop the visual expression of the attendees. To this end, I offer guidance through teaching experimentation in form and hand-building techniques. At the same time, I explore the possibilities of the relationship between the human being and the material as a natural and ancestral medium.

Artist Bio

Rachel Harris (b. 1991) is a Berlin-based transdisciplinary Canadian artist fluidly transitioning between painting, sculpture, installation, performance, and land art. Harris holds a BFA in Drawing and Painting from Ontario College of Art and Design University. She has participated in international residencies such as Enclave Land Art (Vall de Gallinera, ES), Bauhaus Bavaria (Breitenberg, DE), Terraformation (Sicily, IT) and in 2023-2024 she received the Deutsche Bank Macht Kunst Stipend. Her work focuses on ecology, community, and rethinking the way in which we consider the natural world in order to illuminate how nature itself is intertwined into our being.

Name: Emma Zimmermann

Die künstlerische Praxis von Emma Zimmermann beschäftigt sich intensiv mit der Symbolik von Zäunen und Spitzen. In Zimmermanns Werken treten Stoffe und Siebdruck in einen spannungsgeladenen Dialog mit Metall- und Holzelementen. Die filigranen Webstrukturen des Stoffes; frei erfundenen Gittern und die markanten Merkmale von Zäunen werden vereint und zugleich gegenübergestellt.

Zäune definieren Eigentum, grenzen aus und schaffen Raum. Besonders die freien Endigungen der Zäune, die Spitzen, sind nicht nur Zierobjekte, sondern auch Hindernisse, welche Zäune schwer überwinden lassen. Sie sind gefährlich, sinnlich, erotisch, nutzlos und absurd. Zimmermanns Werke stellen die Frage, wie Wut dargestellt werden kann, ohne patriarchale Strukturen zu reproduzieren. Dabei geht es niemals um den einen Zaun, die eine Spitze, sondern um die Kollektivität, die all diese Zäune vereint.

DE Künstlerische Kurzbiografie

Emma Zimmermann (*1997 in Großburgwedel, Deutschland) lebt und arbeitet in Berlin und studiert Bildende Kunst an der Universität der Künste Berlin in der Klasse von Christine Streuli. Zimmermann ist Preisträger*in des Anerkennungspreises der Walter Stöhrer Stiftung 2021/22 und Stipendiat*in der Dorothea Konwiarz Stiftung 2022/23.

ENG Artistic Short Description

Emma Zimmermann’s artistic practice is deeply engaged with the symbolism of fences and spikes. Within their work, textiles and screen printing enter into a charged dialogue with metal and wood elements. The delicate woven structures of fabric, imagined grids, and the defining features of fences are both united and contrasted.

Fences define ownership, exclude, and create space. Particularly, the exposed endings of fences — the spikes — are not merely decorative objects but also barriers that make fences difficult to overcome. They are dangerous, sensual, erotic, useless, and absurd. Zimmermann’s works question how rage can be represented without reproducing patriarchal structures. The focus is never on a single fence or spike, but rather on the collective nature that connects all fences.

ENG Artistic Short Biography

Emma Zimmermann (*1997 in Großburgwedel, Germany) lives and works in Berlin and studies Fine Arts at the Berlin University of the Arts in the class of Christine Streuli. They‘re a recipient of the Recognition Award from the Walter Stöhrer Foundation (2021/22) and a scholarship holder of the Dorothea Konwiarz Foundation (2022/23).

Konzept – Schaukasten am Park am Nordbahnhof

Der Schaukasten rechts vom Haupteingang zum Park am Nordbahnhof soll zu einem kleinen, künstlerischen Eingriff im öffentlichen Raum werden. Statt als reine Infotafel genutzt zu werden, wird er zu einer Art stiller Bühne – sichtbar, aber leicht zu übersehen. Ein Ort, der kurz irritiert oder zum Innehalten einlädt.

Zuerst möchte ich den Schaukasten reinigen und wieder herrichten – aktuell ist er besprayt und wirkt ziemlich vernachlässigt. Diese Geste verstehe ich auch als kleinen Beitrag zur Pflege des Parks.

In den Schaukasten kommt ein Siebdruck, der auf den Zaun hinter dem Kasten reagiert. Die Grafik nimmt den Verlauf des Zauns auf, führt ihn optisch weiter – aber nur scheinbar. Denn im Bild beginnt sich der Zaun zu winden, zu verzerren und zu verheddern. Die klare Begrenzung löst sich auf, wird absurd, fast schon spielerisch.

Der Druck ist in einem hellen Grau gehalten und wird mit der Zeit durch die Sonneneinstrahlung langsam verblassen. Wenn das passiert ist, kann der Schaukasten wieder für seine ursprüngliche Funktion genutzt werden – oder Platz für neue künstlerische Ideen bieten.

Ausbildung

2017 Mappenkurs – Leipzig School of Design

seit 2018  Bildende Kunst – Universität der Künste Berlin

seit 2019  Studium in der Klasse von Prof. Christine Streuli

2021 Chelsea College of Art and Design London

2023 Akademia Sztuk Pięknych w Warszawie

Auszeichnungen

2021/2022 Anerkennungspreis Walter Stöhrer Preis für Grafik

Stipendien

2021 Erasmus+ Stipendium – Chelsea College of Art and Design London

2022/2023 Dorothea Konwiarz Stipendium

2023/2024 Erasmus+ Stipendium – Akademia Sztuk Pięknych w Warszawie

Einzelausstellung

2020 “Institut für Stofflichkeit“ Gallery 38, Brelingen, Niedersachsen

Gruppenausstellungen

2019 „Ich kann gerade nicht, ich habe andere Sorgen!“

Kunstverein KunstHaus Potsdam e.V.,Potsdam

2020 „Grüße aus dem Off“ ]oqbo[ – Raum für bild wort ton, Berlin

2021 Off-Site Show mit dem Container Collective New Cross, London

2021 The Container#2 exhibition Chelsea College of Art, London

2022 „Ablage“ Raum für Sichtbarkeit, Berlin

2022 „PAINTING FOR DORO – Stip. 21/22 22/23“ Dorothea Konwiarz Galerie, Berlin

2022 „A thin Line“Sa-Kura Gallery, Nagoya, Japan

2022 „Strange, I‘ve seen that face before“ Walter Stöhrer-Grafik-Preis 2021/22, Gallery Friese, Berlin

2023 „empty set“ Duoshow Dorothea Konwiarz Stiftung, Dorothea Konwiarz Galerie Berlin

2023 „Die Zukunft für sich“, Liebermann-Villa am Wannsee, Berlin

2024 „hobbykeller:powertool“, Kluckstr.27, Berlin

2024 „Stand Jetzt II“, Fritz und Hildegard Ruoff Stiftung,Nürtingen

2024 „Sockel“, bcma, Berlin

2024 „frisch gestrichen“, Campus Esche, Berlin

2025 Unfolding: Young Berlin Artists, KUNSTRAUM, Berlin

Upcoming

2025 museumFLUXUS+studis 2025 Potsdam

2025 Schwarzzseite Projekt Edition 2025, Künstlerhaus Dortmund

2025 Abschlussaustellung, UdK Berlin

THIEME / WILLIAMS ARTIST DUO

Thieme-Williams are a German/British artist duo living and working in Berlin.

EDUCATION – DIANA THIEME

2008 – 2012 | Absolvent der Universität der Künste Berlin under Prof. Burkhard Held

2012 – 2013 | Master‘s under Prof. Burkhard Held

EDUCATION – EUAN WILLIAMS

2005 | Norwich School of Art and Design

2009 – 2014 | Institut für Raumexperimente | Klasse Prof. Olafur Eliasson

2008 – 2012 | Absolvent der Universität der Künste Berlin under Prof. Olafur Eliasson

2012 – 2014 | Master‘s under Prof. Olafur Eliasson

SELECTED EXHIBITIONS

2020 | Airborne Project, Skies of Berlin, Berlin (Curators)

2019 | Common Ground, K51, Berlin

2018 | Interventionen, Museum Reinickendorf, Berlin

2017 | Festival Of Future Nows, Hamburger Bahnhof – Museum für Gegenwart, Berlin

2017 | Artists‘ Books for Everything, Zentrum für Künstlerpublikationen | Weserburg, Bremen

2015 | Kunst & Konstrukt, Kunstpreis der Leinemann Stiftung für Bildung + Freundeskreis der UdK | Karl Hofer Gesellschaft, WESTRAUM, Berlin

2014 | Festival of Future Nows, Neue Nationalgalerie, Berlin

2014 | Our Accursed Share, D.H.U.A. Galerie, Berlin

2014 | Verfluchte Unmenge/Our Accursed Share, D.H.U.A. Galerie, Berlin

2013 | Macht Kunst, Deutsche Bank Kunsthalle, Berlin

2012 | Glasauge, Bunker Virchowstr, Berlin

PUBLICATIONS

A collection of shadows in the folds of books taken over the course of a year from around the world | Verlag der Buchhandlung Walther König, Köln 2014, ISBN 978-3-86335-473-2.

DIE NADEL – Kulturwissenschaftliche Zeitschrift für Kunst und Medien, 02/01 2013 ISSN 2195-9943