Linda Verner’s mirror computer screen installations based on the use of the special software utilising human data archives for determining of the human psycho-types shows her experimental and critical approach to new technologies from innovative artistic perspective. Her installation involves public participation and feedback, questioning our perception of machines and the influence of the new technologies on our lives. Her face recognition installations critically engage with algorithms and robots that anonymously evaluate humans by measuring skills, intellect and abilities judging by physiognomic data: like the distance between facial features and shapes of the wrinkles. It’s common knowledge that the new technologies AI and robots will determinin to an ever increasing scale our future by transforming human-machine interface. Linda Werner’s works thematise this process. In the long run it’s up to each of us to decide if the human-psycho type of each of those who make the test developed by Linda Werner is true or false. But once algorithms are used on a larger scale by big companies while hiring or evaluating personnel or making other life important decisions the dilemma gets deeper raising more ethical questions at stake.
SURFACE
Work description
privacy file, program, camera, screen; 2022;
object: 170 x 120 x 50 cm, computer, camera, screen, metal frame, keyboard, cable; 2022;
Involved in the project 2022
Andreas Bauer - programming doctor, Oliver Mayer - programming engineer;
BIOGRAPHY
Linda Werner
2014–2015 pre-studies at art school “tube”
2015–2018 studies of free sculpture in class Marko Lehanka at Academie of Fine Arts Nuremberg
2018–2021 studies of free art in class Heike Baranowsky
at Academie of Fine Arts Nuremberg
2021 master student award from Heike Baranowsky
exhibitions and prizes (selection)
2015 „Wunderwoche“ in the old Post Office Nuremberg
2017 „Going headless“
2018 „Im Zeichen der Gänsehaut“ curated by Ellen Blumenstein
2019 prize of the Academie of Fine Arts Nuremberg
for the performative experience „intensional alexithymia“
participation „system wardrobe“ in Bauhaus Dessau Foundation at Bauhaus Museum Dessau opening „Festival- Stage-Total-100 Jahre Bauhaus“ curated by Torsten Blume
performance „lim“ at Young Urban Performances Festival Osnabrück
2020 photographs of „intensional alexithymia“ with BfK at the museum Plassenburg
2021 exhibition “conditions of necessity” with the collective DAF at Kunsthalle Baden-Baden
2022 installation with the group treibgut in Kassel at documenta 15
2022 participation art fair Unika val Gardena in the castle Franzensfeste in Italy
Interactive Installation Surface