Xiguan Lei

WORKS

The Topology of the Structure of Ghosts No.2, 2018 soil, weathered stone powder, acrylic paint 13×10.5×7.5cm

#01

兔罝 , 2018
Trapper
soil, thatch, wood, weathered stone powder, WaHui, prepared Chinese ink, acrylic paint, pollen
70×120×110cm

#02

野有蔓草零露漙兮有美一人清揚婉兮 , 2020
Afield the Creeping Grass, With Crystal Dew Overspread, There is One Who Delicate and Pretty
soil, weathered rock powder, thatch, stone, moss
Use local soil, stone and moss to sculpt and replace
Dali, China

#03

紛緼宜修 , 2020
The Appearance and Height of the Lush Plants Match Beautifully Chongqing, China
soil, thatch, chaff
47×40×176cm

#04

鴥彼晨風鬱彼北林 , 2020
Swoop Flies that Falcon, Dense that Northern Wood soil, weathered rock powder, thatch, moss
Use local soil and moss to sculpt and replace Chongqing, China

#05

我行其野 , 2021
I’m Walking in the Field
soil, thatch
Use local soil to sculpt and replace Dali, China

#06

Stars, Present, Traveler , 2021
soil, weathered rock powder, thatch Chongqing, China
60×50×50cm

#07

野艸集 其三 , 2022
Grass No.3
prepared Chinese ink rubbing plants on Nepalese paper 152×204cm

#08

3648 Times to Touch, 2022
Finger prepared Chinese ink on Nepalese paper 76×102cm

#09

7296 Times to Touch, 2022
Finger prepared Chinese ink on Nepalese paper 76×204cm

#10

溯洄從之 , 2022 Upstream I Go Iris print 29.2×52cm

#11

1120 Conversations I Had with Moss and a Rcck , 2023
moss, stone, soil, weathered rock powder, thatch, sunlight, the shadow of bamboo Use local soil to sculpt and replace. The position of the stone and moss remained unchanged from beginning to end.
Dali, China
60×60×15cm

#12